Penelope’s Choice
By: Michael Grenke The Odyssey’s Penelope is a Thinker, a person who is effective in facing her world and its
By Michael Grenke|2019-03-30T04:28:58+00:00August 31st, 2017|Arts & Letters, Theory|0 Comments
By: Michael Grenke The Odyssey’s Penelope is a Thinker, a person who is effective in facing her world and its
By Jared Marcel Pollen|2019-03-29T00:52:08+00:00August 22nd, 2017|Arts & Letters, Practice, Theory|3 Comments
By: Jared Marcel Pollen What does fascism smell like? It’s a question the late Christopher Hitchens used to ask, and
By Shannon Kirk|2019-03-30T05:25:26+00:00January 17th, 2017|Arts & Letters, Practice|0 Comments
We are living in the Fruit Loops vs. Cheerios Political System. Each Fruit Loop represents a position on an issue, and each Cheerio its “opposite.” If you are on Team Fruit Loop, you MUST accept and agree and support all Fruit Loops, likewise with Team Cheerio. This is a binary system. This is bullshit. We would never allow such simple sorting for fictional characters, so why is it being pushed in reality?
By Rich Frontjes|2020-04-17T15:03:09+00:00May 4th, 2016|Arts & Letters, Featured, Theory|8 Comments
Sor Juana’s silence is difficult to “read,” but it is easy to hear. What can it show us about the way the absence of speech can itself be a mode of participation in public discourse?
By Political Animal|2019-03-31T04:37:34+00:00March 9th, 2016|Arts & Letters|9 Comments
Varys is key to both the political action of A Song of Ice and Fire and its political wisdom. The core of his political philosophy is encapsulated in a riddle: "In a room sit three great men, a king, a priest, and a rich man with his gold. Between them stands a sellsword, a little man of common birth and no great mind. Each of the great ones bids him slay the other two...
By Political Animal|2019-03-31T04:45:24+00:00March 2nd, 2016|Arts & Letters, Theory|0 Comments
Over the next few months, we are going to examine the political insights of A Song of Ice and Fire
By Political Animal|2019-03-30T20:37:33+00:00February 23rd, 2016|Arts & Letters, Theory|1 Comment
There is a riddle at the center of Eco's existence: In his theoretical work, he usually had the look of a post-modern man. And yet, in his art, he could look almost medieval.